Some children’s books feel like they are written for adults. In Where The Wild Things Are, Maurice Sendak speaks directly to the child.
Deemed controversial when it first came out, Where The Wild Things Are is a feral romp through the intense feelings of childhood, telling the story of Max – in his now iconic animal suit and crown – who sails off in a strop to the land of the wild things after he is punished for naughty behaviour by his mother.
Sendak was not one to sugarcoat childhood. Born in 1928 to Polish Jewish parents who had emigrated to America, he grew up with the devastating impact of The Holocaust on his extended family. As a young child he nearly succumbed to Scarlet Fever – fear and mortality were part of his formative years.
Throughout his career Sendak railed against the notion that childhood was a sun-kissed period of innocence and insouciance and should be depicted as such – in In The Night Kitchen his protagonist’s dream wanderings land him naked in cake batter and Outside Over There features child abduction and goblins. In an interview with The New York Times, a year before he died, he bemoaned the fact that children’s books had ceased being “truthful” about the authentic experience of children.
In a time of such uncertainty, with a deadly virus lurking, schools closed and an economic crash brewing that could affect generations to come, we need Wild Things and Sendak more than ever, to give children a bedtime story that reassures them, not with sweetness and light, but the message that we implicitly understand the untamed frustrations and anxieties within which they cannot explain.
Joe has been invited to a party but he has lost the invitation with the address. He walks down the road with his mum, looking for the right house, all the while wondering aloud if he even wants to get there.
What If…? really struck a chord with me, as one of those kids whose first reaction to something ‘fun’ was invariably one of anxiety. Anthony Browne is such a master in his surreal rendering of familiar things, and the scale of his illustrations reflect the disproportionate worry that can affect children experiencing something unknown.
What If?…, by Anthony Browne, published by Picture Corgi, is available now.
I love everything about these glorious board books. The diversity, the humour, the art, their feminist manifesto. Seriously, what’s not to love?!
It’s never too early to teach your little ones about equality and they’re also a breath of fresh air for parents besieged with gendered ideas around parenthood, including the clothes and toys (and books) you buy for your baby or toddler.
Feminist Baby and Feminist Baby: He’s a Feminist Too!, by Loryn Brantz, published by Disney Press, available now.
From Elys Dolan, the creator of brilliant picture books such as Weasels, comes a very funny new fiction series for young readers.
Dave is no good at being a dragon. He doesn’t like to eat villages or hoard gold and his knitting is terrible (the skills required to achieve full dragonhood). But Dave loves to read. Having failed his dragon test, he turns to his favourite book, Knighthood for Beginners. With the help of German wunder-goat Albrecht – trusty steed and life coach – can he become a knight despite the teeny, tiny problem that as a dragon, he is their sworn enemy?
Packed with madcap humour in both text and illustration, fun sight gags and a handy German glossary at the back (!), this is joyful storytelling perfect for reading aloud with the opportunity for lots of voices and fun accents!
If writing for this age group requires an endless supply of brilliant, barmy creativity then this series should run and run. Hurrah!
Knighthood for Beginners and Wizarding for Beginners, by Elys Dolan, published by Oxford University Press, are out now.
A small owl native to Australia, Philip Bunting’s imagined mopoke is a sardonic little character who’d like to be left alone, but unfortunately, no matter how high your branch, you can’t always get what you want.
Mopoke is an absolute hoot. In its earthy palette and visual humour it is Klassen-esque (a description I do not use lightly). It is perfectly paced for sharing with children of any age and as you turn the pages the inventive wordplay builds to a satisfying, crashing crescendo.
Mopoke, by Philip Bunting, published by Scholastic, is available in September.
From children’s treasuries to ornate gift editions of much-loved tales, Christmas is the time of the gorgeously illustrated hardback. Here are some original titles to mix with the old favourites.
The Fox and the Star – Waterstones’ Book of the Year no less – is a shining example of this genre. The debut work of books designer Coralie Bickford-Smith, this is a modern day fable about a fox that befriends a star in the sky, and how he copes when his friend disappears. The intricacy of the illustrations and the interplay of the spreads is exquisite. A treat for all ages.
Continuing the theme of unconventional friendships, The Imaginary is a fantastical story by A.F. Harrold about a young girl and her imaginary friend, Rudger. The real and imagined worlds they inhabit are fully realised and the storytelling is confident, madcap and affecting, but it’s the extraordinary illustrations by Emily Gravett that really pulled me in.
Following on from the success of stand-out non-fiction books such as Big Picture Press’ Maps, we have Martin Haake’s vibrant City Atlas. Children are invited to jump in and explore 30 cities through lavishly illustrated maps that pick out key landmarks, prominent citizens and lots of other fun details to search and find.
The Fox and the Star, by Coralie Bickford-Smith, published by Penguin, is available now.
The Imaginary, by A.F. Harrold, published by Bloomsbury, is available now.
City Atlas, by Martin Haake, published by Wide-Eyed Editions, is available now.